Across the Spider-Verse is as reverent an ode to webslinging - and to the storytelling possibilities of animation - as its forerunner. After 2018’s Into the Spider-Verse - which many consider the best Spider-Man movie to date - the kid who had to learn that anyone could wear the mask has to reckon with what to do with it while the world is watching, and how to hold on to agency in his own story when the past, present, and future are all screaming at him to do things the way they’re supposed to be done.
There are great expectations for Miles Morales - from both the people he’s tasked with saving in his world and from us pure viewers to the thrills of that heroism - and Spider-Man: Across the Spider-Verse’s boundless energy challenges them at every turn.
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